Jordan Mintzer Il film è stato premiato al Festival di Cannes, ha ottenuto 1 candidatura a Golden Globes, ha ottenuto 7 candidature e vinto 3 Cesar. by | Drammatico Composer: Demusmaker - Francia, All rights reserved. durata 105 minuti. With Oulaya Amamra, Déborah Lukumuena, Kevin Mischel, Jisca Kalvanda. TWITTER L'invio non è andato a buon fine. Screenwriters: Romain Comingt, Houda Benyamina, Malik Rumeau

Un film

It’s unfortunate, then, that Divines succumbs to familiar B-level storytelling devices in its last act, undoing some of the inventiveness that was seen during the opening reels.

Director: Houda Benyamina Divines ha avuto il suo momento di gloria a Cannes, dove si è goduto una stand ovation di dieci minuti e dove è stato premiato come migliore opera prima. © 2020 The Hollywood Reporter 105 min. Her current scam is shoplifting wearing a burqa with her friend Maimouna, but she needs to step up to the big league: working for local gangster Rebecca (Jisca Kalvanda) selling drugs and stealing petrol by siphoning it from cars and vehicles on a local building site. Divines è un film dall'estetica sorprendente, capace di immagini forti e ispirato dalle rivolte parigine del 2005. Casting director: Pierre-Francois Creancier It’s a moment of weirdly childlike likability. Ti abbiamo appena inviato una email. Costume designer: Alice Cambournac Benyamina surely has a career ahead of her and plenty of energy to burn, but she perhaps needs to learn that less is sometimes more and all movies don't have to end with a bang.

con Oulaya Amamra, Majdouline Idrissi, Déborah Lukumuena, Kevin Mischel. Genere Drammatico

Benyamina — who directed several shorts and co-founded the banlieue-oriented film association 1000 Visages — tries to toss everything she can into the mix here (she’s not quite thrown in the kitchen sink, though there are a few Molotov cocktails) in an overstuffed scenario that certainly doesn’t skimp on violence, trash-talking and a very femme-centric depiction of thug life. There’s an explosion of energy in this very impressive debut movie from first-time French director Houda Benyamina, now showing on Netflix, which won the Camera d’Or at Cannes this year. There’s more satire when Rebecca insists that Dounia wears high heels – and of course she scrubs up very well – because heels are a bling-forcefield against being poor. Se vuoi saperne di più, CANNES 69: I, DANIEL BLAKE VINCE LA PALMA D'ORO, Come un gatto in tangenziale... Ritorno a Coccia di Morto, The Bee Gees: How Can You Mend a Broken Heart, Undine, la video recensione del film di Christian Petzold, Un affare di famiglia, la video recensione, The Story of Movies - Episodio IX: Calcio e campioni, The Story of Movies - Episodio 8: Il thriller italiano, The Story of Movies VII: Jung Woo-Sung, 100 anni di cinema coreano, The Story of Movies - Episodio 6: Enzo D'Alò, il cinema d'animazione, The Story of Movies - Episodio 5: Il comico italiano, The Story of Movies - Episodio 4: Italian families, La vita straordinaria di David Copperfield, Trash - La leggenda della piramide magica, Palm Springs - Vivi come se non ci fosse un domani, Stasera in Tv: i film da non perdere di domenica 1 novembre 2020, «Cammina proprio come il mio James Bond». At home — she lives in a sort of shantytown near the projects — her mother (Majdouline Idrissi) is an unhinged alcoholic who sleeps with anyone that will take her. Directed by Houda Benyamina. Divines hits the ground running: an urban thriller from the Paris banlieues that is a little like Céline Sciamma’s Girlhood, mixed in with some freewheeling New Wave fun. Benyamina finds a groove of joie de vivre and enjoyability with this movie, even during its periodic melodrama and social-realist drear: there’s a very funny in-camera trick when Maimouna and Dounia are fantasising about driving around in their Ferrari and then, framed at the head-and-shoulders level, they really do appear to roll around the estate in an ecstasy of wonder, maybe being dollied along a track, or standing on a wheeled platform. Hailing from one of those places outside Paris where everyone lives in demoralizing concrete towers, drug dealers rule the streets and the cops only show up when someone sets the parking lot on fire, Dounia (Amamra) seems to have few viable options in life. Forced to do humiliating job-interview role-play exercises in class, Dounia explodes with haughtiness and walks out of school for good. Cast: Oulaya Amamra, Deborah Lukumuena, Jisca Kalvanda, Kevin Mischel, Majdouline Idrissi

It’s frothing with soap-opera intrigue and sex interest, but it climaxes on a very bleak note. 2015, Regia di Uda Benyamina. Sostenuta da Maimouna, la sua migliore amica, ha deciso di seguire le orme di Rebecca, uno spacciatore di droga rispettato. Like Dounia herself, there’s no denying Benyamina’s desire to break through social and cultural barriers to create something powerful, and by casting the unknown Amamra, she’s found a perfect alter ego in an actress who can be exuberant, touching and off-putting at the same time. Amamra is tremendously good as Dounia, a livewire, always seething at the personal insult that every aspect of her life now constitutes. Benyamina has a stylish opening sequence shot portrait-style on a phone. Everyone does the obligatory flicking-dollar-bills-from-a-fistful mime – part bountiful, part contemptuous, part defiant. Attenzione. The result is a work that showcases the distaff director’s raw filmmaking talents but may have to fight its way out of the usual Francophone ghettos. Director of photography: Julien Poupard Showing all 4 items Jump to: Summaries (3) Synopsis (1) Summaries. 4:30 AM PDT 5/19/2016 Maybe the final five minutes are a little too over the top, but the overwhelming impression is that Dounia has ambition and vision, a conviction that she might still be able shape her own future.

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