Ty for your attention "i think it would be amazing if future versions of MIK had the ability to do this (key at a master bpm) within the app!" YouTube Videos zukünftig nicht mehr blockieren.
Use the world's favorite harmonic mixing software. Key and BPM for Bad Energy by Juice WRLD. should be as close as possible to the speed of the original song. Fill out the required fields in the form as accurately as possible; If prompted, enter the captcha code and submit (You're done here) After you've submitted, be patient. A measure on how popular the track is on Spotify. The 3%/6% Rule; Tried & Tested! I think that the number of people who are going to notice something like this is going to be an extremely small percentage of the listening audience.
First song is 128 BPM and the second is 136 BPM. I'm not giving out any names; but I've listened to those compilations where the tracks (that sounded really, and truly I mean it - really good) in someone else's compilation, but once I got and listened to their actual individual track/s in question from other 'official' channels - such as from a digital shop or Youtube and guess what....the key in the track/song's original tempo sounded SO DIFFERENT! Sweet Look in my Topic, you will find information about changing the BPM and how the key change ;-) Key and BPM for Smile (with The Weeknd) by Juice WRLD, The Weeknd. I disagree with the 3% rule. I have a difference between 1,5 and 4,6 = 3,1% so I use the 6% rule. An app that could analyze your itunes library for the key and bpm information and then suggest tracks would be nice, but you would want to be running that while you're mixing and I don't know if people are going to like to be switching back and forth between apps while djing. Great question, the answer is 4 semitones. thanks for takin the time to read this.
+5.1% - 11A - 132.38 HOW DO YOU GO TO 7A ON THE WHEEL TO 2A AND CALL IT ONE SEMITONE UP IT IS CLEAR ACROSS THE CIRCLE. Save my name, email, and website in this browser for the next time I comment. djchez, Hi djchez, This is not a project that we are working on right now, most DJ software has key lock built in. Take the BPM of each song and multiply that by 1.03. Whilst I'm strictly a hobbyist DJ at the moment thus far (no commercial experience), I sincerely do believe that producing a good mix SURELY requires more than just mix and matching songs with the same Key and BPM. Dies ist die häufigste Form des harmonischen Mixens. I guess I will just have to try out serato and see if it makes a difference - I'm probably being overly anal about it all.. How is the target TEMPO/KEY calculator coming along. +2% - 4A - 128.46
so can i jus bring the track a down to 131 and then it would be ok??? Bewerte einfach Deine Tracks nach Energie….1-5 z.B.
This would make master tempo unnecessary. How to do them key-compatible ? +6.1% - 11A - 133.62 Is this correct for a track in 8a? Wow you reply to everyone's questions on this thread.
Meaning I change the tempo up to 125 without affecting key? A 3% speed increase from 80 BPM is 82.4 BPM, not 83 BPM. or is the other way around?? I think the most important thing to remember is that rules are made to be broken. On Tuesday, December 04, 2012 11:48 PM Chad P (Mixed In Key) wrote: yes but how do we get the 1,03 most of the time I will be playing track at around 180bpm but these tracks in original from my have been as low as 165bpm. and I have a song: 1) 3A - 202 is there a master tempo function in tractor pro? Thanks! also i dont think it would mean u had to stay at the same bpm throughout ur whole set if this were the case.
Not all is info is interesting but BPM, Key or Camelot are useful for Harmonic Mixing for DJ. I´ve see in this forum a lot of examples of big bpm jumps but imagine a song that is playing is 130 bpm 4A, you never try to pitch up this song while playing to 136 bpm because you wanna play next a 136 bpm song(that has to be A11 because of the 6% increase).
I always look for the feel, mood, intent, beat structures (linears vs. progressives), hell even the song's language and context IN ADDITION to identifying the KEY and BPM of what each song is as it is at original 100% tempo.
Obviously it also depends on the accuracy of the detected keys....while I am a huge fan, we all know the software isn't perfect(and some producers aren't careful about keeping all parts of a track in key). Create perfect ID3 tags.
I play house and trance using this rule (ranging 130-140BPM). +12.1% - 6A - 141.26 3. es ist einfacher live Acapellas und Mash-Ups in deine Sets einzubauen ( i guess i will have to carry a calculator with me behind the booth ) Then once i have that figure and the Key of the track (as per Camalot chart) i have to multiply the key 7 times for every 3% (some poeple even arguing 2% is better) the original track tempo has been changed???? Even on my CDJ-1000s it very noticeably degrades the sound quality (especially when pushing a track +/- 2%) and I have been trying to find away around using it. i have been pulling my hair out with (what should be) a simple question, so I thought I'd bother you. -11.1% - 7A or 2A - 111.97 any guidance is appreciated.
I think it would be killer if MIK had a built in BPM analyzer. Key mixing is made easier for DJs with the Camelot wheel.
just for harmonic mixes( 8A>8A> 7a>7a>6a) and energy boost mixes (5a>7a) also using cubase since 2004.
Cheers, Im Prinzip gibt es 10 Arten von Übergängen, die alle eine andere Wirkung auf die Leute und die Tanzfläche haben. Here is my question, it's for the experianced ones out there. How much pitch is needed to get the song (let's say its in A1) to get to the same key but an octave higher? So off they go in the next day going to Youtube and realise that when playing the song/s you've used in the set they're of an entirely different key!! So if we start with the key 7A, other keys that will mix well with them would be: Do i now bring it an extra -3% even after i did all those steps??? iann dior) G Minor.
also das mit dem energie boost is ganz schön bescheuert, klingt in 90% der fälle scheisse wenn man die tonleiter einen oder sogar nen halbton (da kringelts mich ja bei dem gedanken) hoch/runtergeht. 3. 3% rule or 6% rule will be ignored. +8% 139bpm pitch 2B (for example) But I already knew it wasn't going to be perfect. BPM. and another question: When you guys talk about 3% or 6% you talking about 3.00% or 6.00% not 0.3% or 0.6%, right? so now the situation is changing and he does not even sound more 2A. I'm going to stick with it for now since I found the sound quality is noticeably better using the "repitch" mode. I just answered this question for someone the other day. Außerdem habe ich mehr Zeit die Lied-Reihenfolge im Voraus zu planen. One track has 126 bpm and 1B key. Thanks. Get DJ recommendations for harmonic mixing. Chad P. Hi there, with these rules. DaBaby), Internet Money, Lil Tecca, A Boogie Wit da Hoodie, Somebody (feat. -6.1% - 12B - 118.37 Chad, Use Google Images to search for “Camelot Wheel” (get a large version) and download your own copy (hint: set it as your laptop background wallpaper so you can minimise your DJ software to quickly refer to it when playing). Was ist gut, was ist schlecht? I am getting it now ;). The new keys will no longer result in a harmonic mix because A Minor (8A) and B-Flat Minor (3A) are not compatible Camelot numbers. 6% = to 9 BPM. Hello , I have a question.. If I increase tempo (without key-lock) of my 126 bpm track, what value of pitch i must use to do this track sounds in 4B key ? Now you'd be able to instantly see which tracks are in tune with the one you are currently playing. Not sure who should I give my respect/s more to in this dilemma? Also hauptsächlich sind das Cross-Genre Tracks. Hast du dazu 2-3 Beispiele? Hey Yakov Im new here and completely! When it is so close we give you both keys so you have more mixing options. Thanks for you effort to help everybody here with there questions! -7% - 10A - 117.15 Clean up and improve your Serato, Traktor and iTunes playlists. Create your own mashups and remixes. Would you use something like this? been along time since i last posted here and im sure i asked this question once before but here we go.....
Guys, my maths is so bad, I have a suggestion for a simple solution: could somebody (with better maths than mine) please create a table which we can print and keep for handy reference while mixing? Get DJ recommendations for harmonic mixing.
or did i miss it somehow? track one is playing at +4% and its tune pitch is now 2C and the tempo is 134bpm Hi, I just started using the software, I think it's great, completely changing the way I build my sets, much less work trying out beforehand. ; ) Hi, If its not working for you, you must be doing something wrong, Great tutorial, thanks Yakov. Even at 0% you can usually hear a difference as soon as this is turned on. If I want mix both I have to up pitch up to 6% in X, so now Y is 132 bpm and 2A mixed with X 132 bpm and 9A. Mixed In Key läuft problemlos mit Serato Scratch Live Lars! or should I get pair turntables with key lock feature? This is the big secret. This is close to the principle behind the operation. Decrease energy? iM GUESSING THAT THE COLORS ON THE hARMONIC WHEEL ARE A SAFE WAY TO MIX WITHIN THE KEY COLOR TO ALWAYS BE OK???? Does this make a difference when using Ableton? aprox 132 to aprox 135 bpm (+3% to 6%) - D = 7A/6A/5A/7B Values near 0% suggest a sad or angry track, where values near 100% suggest a happy and cheerful track. Moving the topic back to page 1 of the forum. Find the key and BPM for Camelot: C'est moi By Frederick Loewe, Robert Goulet, Franz Allers. (I wanna end up at 140bpm at end of set) Let´s say that you start your set at 128bpm 4A. Aber warum manche Tracks einfach mega zusammenpassen, lässt sich ziemlich einfach erklären: Jeder Song besitzt neben seiner BPM auch einen eindeutigen Key oder auch Tonlage. Hey Chad i wanted to know if harmonic mixing still works if i do it for example from 12B to 1A or 12A to 1B please let me know if harmonic mixing would apply as i described above and hope to hear from your answer soon. Wow, thanks once again for the immediate reply:)! ie 1a with 12a/b or 2a/b VORTEILE VON HARMONISCHEM MIXEN What about if I warp my tracks in repitch mode in Ableton? With the Keylock off, I recorded a one minute clip from the middle of a tune with the pitch at 0. I usually play psy trance with BPM of around 145. but some songs that i analize through mixed in key give a result of around 72 bpm. What I would recommend is sorting first by BPM, and then key. I have understood or really does not matter. Best, If necessary to empty a dance floor, which would be the appropriate technique to achieve this effect? thanks for the explanation chad, much appreciated. as small as possible. Thanks for posting this info, very useful! To do this, divide the number of bpm increase by the original tempo. Next up are two songs in A Minor with different tempos.